But before I became an agent, I was an aspiring writer myself…
Living off of espresso in an attic apartment in Paris, hoping that my scribblings would one day become a published book. (That dream would take many more years to realize).
I left Paris to earn a livelihood at the Publicity Division of HarperCollins, where I assisted on the media campaigns of Stephen Dubner and Steven Levitt (Freakonomics) among many other New York Times bestselling authors.
Later, I led Scholastic’s first job site, and was placed in its corporate sales and marketing division selling custom publishing programs to Fortune 500 companies and global nonprofits. As a side hustle, I managed musicians, stemming from my early love of music as an opera singer in the Metropolitan Opera’s children’s chorus.
Though I couldn’t have foreseen it, all of these roads—my love of artists and my passion for nurturing their success—were pointing somewhere. I learned about the job of a literary agent, building books from the ground up, running book auctions, and championing aspiring authors. It had my name on it.
As I tell so many writers today, it just takes one.
I knocked on the door of every prestigious agency I could find some connection to, or could research online. While I was able to meet with long-established literary agents, I was rejected everywhere due to my lack of experience.
Then I found one agency willing to take a chance. I was offered the role of a marketing consultant to Gretchen Rubin (The Happiness Project), among other major authors represented by that agency.
But I always wanted a company of my own. And in 2011, Lucinda Literary, LLC was born.
Today, I represent New York Times and internationally bestselling business, health, lifestyle, and popular science books, narrative nonfiction, memoir, and upmarket fiction. As my agency has grown, a new passion has ignited alongside my commitment to dealmaking and literary representation. I’ve returned to my earliest mission: to challenge the status quo of an antiquated, exclusive industry and ensure that every writer gets their shot.
In my book, my courses, on public stages and in private coaching, I guide authors toward their #1 goal of getting published.
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